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In order to maintain preset compatibility, Helix Native applies the same limitations: if Native allows you to design a rig, you can, therefore, be sure it will then run on the hardware. The Helix hardware is based around a powerful twin DSP engine that lets you build some very (very!) complex presets, but processing resources are not unlimited, and it is possible to hit the buffers. One further hardware/software compatibility issue is worth noting.
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This is well documented by Line 6 in Native’s PDF manual and, on the whole, passing presets between the two system seems to be handled in very elegant fashion. There are elements of a hardware preset, such as footswitch assignment, snapshots and audio routing to the hardware I/O, which are not directly relevant when the same preset is used in Native.
#LINE 6 HELIX NATIVE MAC CRACK SOFTWARE#
Perhaps the other difference to note relates to the compatibility of presets between the hardware and software Helix environments. As with a real amp, if you feed a Helix amp model with a signal that’s too hot or too weak, the amp will ‘model’ a pretty realistic (poor) response. Helix Native is obviously intended primarily as a studio tool, and equally obviously, requires a suitable guitar-level input signal delivered from your audio interface or a recorded track. In terms of the practical differences, it’s stating the obvious to say that you don’t get the robust, gig-ready hardware, with its impressive array of audio I/O (including USB for connection to your computer), 12 user-assignable footswitches and expression pedal. The Helix concept is a complete virtual guitar rig in a single product. As such, you get over 60 amps (including a good selection of bass amps), 30 cabinets, with the option to load your own impulse responses, and over 100 effects, based upon both stompbox classics and some studio-style rack processors.
However, in terms of the collection of modelled components, the gear list is identical. There are obviously some practical differences between the hardware and software Helixes and I’ll say more about these later. So, if you have lusted after the modelling offered by the Helix Floor, LT or Rack, but been deterred by the price of entry, might Helix Native be a more affordable option? Dual Helixes They should, in principle, sound exactly the same in both. Indeed, Native is designed to work seamlessly with the Helix hardware and, if you happen to own both (owners of Helix hardware get a considerable discount on the price of Helix Native), any presets you create can be moved between the two platforms with a minimum of fuss.
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As the name suggests, this is a software-based version of the Helix hardware for Mac OS and Windows, and while still not inexpensive, it is considerably cheaper than the hardware despite apparently offering exactly the same modelling technology. Line 6’s latest software-only product is Helix Native.
For studio-based musicians, the additional convenience of a plug-in format, and the lower cost, are further attractions of this approach. In the software domain, meanwhile, products such as Guitar Rig, AmpliTube, ReValver and Line 6’s own Pod Farm all offer the same kinds of modelling algorithms, but let your computer provide the processing grunt required. Whether it’s in the studio or on stage, modelling is no longer just about convenience. Having owned a Helix Floor since it was first released, I agree. Line 6’s current flagship hardware product is the Helix, which comes in two different floorboard formats and as a rack unit.Īs Bob Thomas said in his June 2016 review of the last of these, products such as the Helix Rack, Kemper Profiling Amplifier, Fractal Audio’s Axe FX II and Positive Grid’s BIAS Head have finally convinced a lot of guitar players that modelling is mature enough to deliver both the tone and the feel of real amps, cabinets and effects. In the 20 years (gulp!) since the Pod first appeared, Line 6 and their competitors have repeatedly upped their guitar rig modelling game. Their original Amp Farm plug-in and hardware ‘kidney bean’ Pod processor were, in many ways, the start of a revolution. Line 6 have been at the forefront of guitar amp and effects modelling technology for many years. Helix systems are converting many guitarists to amp modelling, and the newest of them brings Line 6’s latest algorithms to your DAW.
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